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Simply hit the button, and you get a new random look at the available patches. This is really one of those things that we're likely to look back on and wonder how it could have taken so long to incorporate. Already we're really miles ahead of most sampler/synths out there, but there's another really simple feature that can shake you out of your usual "grab one of the first five patches" rut, and that's the Shuffle function. It's truly amazing how customizable yet user-friendly the browsers are. For example, if you don't think genre is gonna get you where you need to be, you can change that specific browser variable to show you patches categorized by pattern (arpeggiated, pulsing, rhythmic, etc.), technique, and gender-as well as a few others.
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Not only are the browsers broken down into categories, each category has a drop-down menu that allows you to choose different filtering variables.
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For example, searching for "chime" (a pretty specific descriptor) returned roughly thirty options in the patch browser-not a terribly daunting task to skim through the results. Even a search window is included for simply typing in what you're thinking of. Once in the chosen browser, Omnisphere has some really simple parameters that help you narrow down what you're looking for quickly by category (synth, keyboard, texture, etc.), genre (ambient, ballad, film, etc.), complexity, and author. The idea for what you need to do determines which browser you hit right away. Each browser has a purpose, and each helps you get to what you're looking for quickly. Take heart, the characters at Spectrasonics could also hear your sigh long before you knew it was coming, and they took the time to really work through the problem of endless lists of sounds and how to make sense of them. Now, from behind this paper page I can already hear you sighing as you envision another voluminous set of sounds that you'll never really explore thoroughly. Furthermore, Spectrasonics recently released a free 2000-patch update, effectively doubling the initial offering of patches. Three different browsers (all beautifully positioned and easily manipulated) mean thousands of included sounds (Multis, Patches, Soundsources-nearly 7000 total). Let's start with navigating Omnisphere's library. Also, on-board effects and modulation routing are accessible and easy to learn with a "live" interface geared towards using Omnisphere as a truly-flexible performance instrument. Not only does Omnisphere give you unbelievable depth-of-control over samples, but the DSP-based synth sounds wicked even without touching the sample library. The basic idea of Omnisphere is that it's a synthesizer and a high-resolution sample-player rolled into one piece of software-not unique so far, but hang on. That said, let's get into the long of it. The short of it is that there's nothing out there that's as deep as Omnisphere while being unbelievably easy to navigate and coming loaded with the breadth of great sounds. In this case, the theme behind this story is, GO GET OMNISPHERE! This puppy is calling your name if you do anything musical involving a computer whatsoever. I've never been one to jump to the last page in a book, and I generally don't like to hear what happened at the end of a movie before I've seen it, but in some cases (like an opera or a good Broadway show) knowing the gist of things can help you follow along better from start to finish.